In his greater than 3 a long time at Constantin Film, Martin Moszkowicz has overseen the manufacturing of masses of movies, together with such field administrative center successes as “Downfall,” “The Baader Meinhof Complex,” the massively widespread “Fack Ju Goehte” motion pictures and the hit “Resident Evil” franchise.
This yr’s CinemaCon is honoring Constantin’s longtime CEO for his paintings and proceeding good fortune on the world field administrative center.
Speaking to Variety, Moszkowicz seems again at his profession and discusses Constantin’s present demanding situations, its various lineup, new productions and increasing movie and tv actions.
Moszkowicz has headed Germany’s maximum a success manufacturing and distribution workforce since 2014. While Germany stays its major marketplace, Constantin has had an international outlook since its beginnings, and it was once due partly to Moszkowicz’s world enjoy that he landed his first activity on the corporate.
The past due Bernd Eichinger, Constantin’s commemorated founder and managing director, recruited Moszkowicz in 1990. At the time Moszkowicz had a small manufacturing corporate and was once generating motion pictures all over the world. When he joined Constantin, he introduced alongside what could be his first challenge on the corporate: Andrew Birkin’s romantic drama “Salt on Our Skin,” starring Greta Scacchi and Vincent D’Onofrio. Shot in Scotland, France, North America and the Caribbean, it was once conventional of the varieties of motion pictures Moszkowicz was once generating on the time.
That enjoy made him an excellent candidate for Constantin, which was once specializing in each German and world productions, together with such classics as “The Name of the Rose” and “The NeverEnding Story.”
Eichinger had made up our minds to transport to Los Angeles and requested Moszkowicz to come back aboard as head of manufacturing. “He was looking for someone who was internationally versed, who had an idea of the scope of the movies Constantin was famous for but also to do German-language films, which were still the backbone of the company, even though we had these big international films,” Moszkowicz recollects. “It all changed pretty fast, though, because Bernd, as he said many times, hated L.A. and he didn’t really want to stay there.”
In the tip it was once Moszkowicz who went to California within the Nineteen Nineties to building up Constantin’s Los Angeles administrative center with the staff whilst Eichinger targeted extra on Europe.
More than 3 a long time later, Moszkowicz nonetheless visits the L.A. administrative center often, however the corporate is a a ways cry from the Constantin of outdated.
“It was a family business – it was run like an Italian family business chapter of the mafia,” Moszkowicz says with fun. “We had an enormous quantity of amusing. It was once an overly Bernd-centric corporate.
“I was actually the second producer to join the company. Today, we have over 50 producers working at Constantin.”
Indeed, the corporate has long gone from 35 workers on the time to a few 800 these days.
It was once Constantin’s 1999 public providing that remodeled it from a small dynamic corporate into a company workforce. “I’m still trying to figure out if that was a good or a bad thing,” Moszkowicz quips. There was once little selection if the corporate sought after to stay unbiased right through the IPO growth of the time, he provides.
A decade later, Constantin become a part of Swiss media massive Highlight Communications, which continues to possess 100% of the corporate.
Despite its enlargement, Constantin’s DNA has remained unchanged because it continues to concentrate on films for each the German marketplace and world audiences.
“Nobody else in Germany is doing that and very, very few companies in Europe do it. It’s one of the big things that separate us from all our competitors. That is something that has stayed the same. Bernd always saw the producer at the center of any show and that is part of our mission statement: We are a producer-oriented company.”
Constantin has additionally remained an overly forged and strong corporate, he provides, and that power has helped the corporate climate main storms, such because the COVID-19 pandemic and the continuing geopolitical upheavals.
“Obviously there are some things that you cannot change. The theatrical business for the last two years has been incredibly difficult, if not impossible. Luckily enough our production business has been booming at the same time.”
The corporate has additionally observed bustling trade in license buying and selling, which has helped it get thru onerous instances.
“Luckily we have rights — we have something that we can still monetize and can still sell. A lot of the new business models, especially with the streamers, are based on the concept that the producer or production company doesn’t keep anything and that’s hardly ever negotiable. If we had done that 10, 20 or 30 years ago, we would not exist today because we could not have survived this crisis.”
After it gave the impression the pandemic was once easing, the invasion of Ukraine started. Apart from the immense human tragedy, the conflict has had “a huge effect on us because it means basically that another huge theatrical market is not accessible anymore. On a purely business level, it means that Russia is not a market anymore. You add that with China, which is so hard to access with international movies these days, and two of the major theatrical pillars of the business have disappeared for the time being, and that is a challenge. But the movie business — probably more than any other business — has been able to adjust to all these challenges over the years.”
Flexibility, Moszkowicz tensiones, is very important in navigating stormy waters.
Constantin is now gearing up for what he describes as probably the most corporate’s highest slates in years, kicking off in May with Leander Haussmann’s Cold War pic “A Stasi Comedy” and the animated “Mia and Me: The Hero of Centopia.” Other releases come with Anika Decker’s “Love Thing”; Ed Herzog’s Bavarian cop comedy “Guglhupf Squadron”; “After Ever Happy,” Castille Landon’s newest installment within the “After” movie sequence; and Doris Dörrie’s “Freibad.”
The corporate’s upcoming productions come with Paul W.S. Anderson’s fable journey “In the Lost Lands,” according to a tale by means of George R.R. Martin; and Landon’s MMA love tale “Perfect Addiction.”
Also set for manufacturing this yr is Cyrill Boss and Philipp Stennert’s “Hagen von Tronje,” a revisionist retelling of the Nibelungen saga according to Wolfgang Hohlbein’s bestseller. It’s “one of the biggest project movies we’ve ever mounted,” says Moszkowicz, including that it’s deliberate as a function movie and six-part TV sequence.
Another main TV manufacturing is Netflix’s new “Resident Evil” live-action sequence from showrunner Andrew Dabb, premiering in July.
Last yr the corporate broadened its movie and TV operations with various new subsidiaries and divisions, together with Los Angeles-based Upgrade Productions, a partnership with Matt Brodlie, Jonathan Kier and BRON Studios this is growing and generating local-language motion pictures and sequence for world audiences.
In Vienna, Constantin teamed with former Tele München Group leader Herbert G. Kloiber at the High End Productions three way partnership to in a similar way increase and bring top class European scripted sequence for the world marketplace. Projects within the works come with Roland Emmerich’s “Those About to Die,” which explores the savage video games and spectator sports activities of historic Rome; and, from creator William Boyd (“Spy City”), “Maximilian and Carlota,” in regards to the lifetime of Emperor Maximilian of Mexico and his spouse, Charlotte of Belgium.
The corporate additionally established Constantin Dokumentation, which bundles its documentary manufacturing actions beneath one roof. The transfer adopted the good fortune of such titles as “The Hidden Life of Trees.” Constantin’s proceeding enlargement is additional solidifying its world footing and increasing at the legacy and imaginative and prescient of its founder. For Moszkowicz, the corporate’s proceeding good fortune has been very a lot a staff effort.
“I’m really proud to be part of this journey, and thanks to a wonderful team and the best people you can have in this business.”